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Шэрон Стоун потеряла опеку над сыном после роли в «Основном инстинкте»
По словам актрисы, именно после выхода ленты она смогла потерять опеку своим сыном Роаном во время судебного процесса с бывшем мужем Филом Бронштейном. Фил Бронштейн (Phil Bronstein). Американский журналист и издатель Фил Бронштейн считал, что женился на зарабатывающей миллионы суперзвезде, и в его планы не входило заботиться об утратившей былую красоту. Фил Бронштейн (Phil Bronstein). Следующие три года были относительно спокойными, пока Фил Бронштейн не подал на развод, мотивировав свое решение «непримиримыми разногласиями». Bronstein began his journalism career in his teens as a film reviewer.
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It was like, not just that he walked into the wrong room, but the wrong era. But he talked at one point.
He and Will Hearst were having a little back and forth. I think he was very much ahead of the game on that. Can you spotlight a few that summarize what the CIR for audience members that may not be familiar with…? Phil: Yeah.
Just in the last week there have been a ton. The Senate passed a bill, which included a provision that said that the VA had to offer alternatives to opiates. That was a pretty big impact on a lot of people. It was for the public good, and hopefully will get instituted in a way that actually serves the public.
At the slightly more local level we did this thing about the Richmond housing project, which is one of the worst in the country. About the… EE: Infestations, crime… Phil: Not just the horrible conditions there but the fact that the administrators were paying themselves for vacations. We not only did that, we went in there and we did a story which was on NewsHour and spread around in The Chronicle and spread around. We brought with us these kids from Youth Speaks , the national spoken word organization, because we had a relationship with Youth Speaks where we felt that they could benefit from facts.
Their work is almost purely emotional and experiential. You give them some actual credible facts, it turns out that their performances are much more powerful. They wrote some poems that were based, in part, on our reporting. In this case, these kids, these three poets, went into the projects with the report and so had that experience.
Join our free email newsletter to receive our latest news and updates directly in your inbox. You have Successfully Subscribed! In that way, open the door to younger people understanding what we do and also understanding what they do and having a better relationship. I think that happened.
I think the Richmond experience…and they made a video, these three poets. EE: It sounds like it could be a great marriage of exposing them to journalism and showing them the tools that they can use to get their message out, as well. Then you can make an impact. You can harness those two things.
Phil: The kicker of it is this is what CIR does that no one else does. There are other great journalism organizations out there, fortunately, investigative journalist organizations. We do our own video work. Innovation as we reflect the area we live in.
EE: You guys were just a lot more nimble in adapting to the new… Phil: We were a lot more, sometimes, impulsive in a way that I think is mostly good. Opportunity comes along to do something differently and with greater impact. A [Carnegie] Mellon Fellow for two years here. We hope she stays.
Those trolls! Phil: I hope that becomes journalism, where the public does play a role. EE: I think the exciting thing for Emeryville residents is right here in our 1. Phil: All right here within Emeryville, right by the train tracks.
Motivated by that whistle every day. So, what makes a good investigative reporter? Phil: I would say that I have known great investigative journalists who personally probably are much more Conservative than some others. Conservative or Libertarian even.
I think that the political climate is really not what creates great investigative journalists.
В одном из интервью она сказала, что сегодня в прайм-тайм по телевизору могут показывать совершенно голых людей. В «Основном инстинкте» люди видели, может быть, шестнадцатую долю секунды её возможную наготу — и это стало причиной потери сына.
Шэрон Стоун и Фил Бронштейн. Сердце Шэрон было разбито Результаты судебной битвы за опеку абсолютно опустошили Шэрон. Разбирательство принесло ей как физические, так и моральные страдания.
Потеря сына же и вовсе разбила сердце знаменитой актрисы. Причём в буквальном смысле этого слова. После завершения судебного заседания Стоун попала в клинику Майо с экстрасистолами в верхней и нижней камерах сердца.
Сердце Шэрон было разбито, но она выстояла тогда и теперь счастлива. Суд шёл почти два года.
EE: A little more autonomous than the perceptions they might have if you were in Berkeley? Of course it was a pleasant surprise to find out that it had changed. A lot of people remember the mud flat sculptures. That was a kind of landmark for finding us. I considered that Berkeley because I would go by them on the way from Berkeley to San Francisco and back. EE: I wonder how much the Bay Street mall with the big Emeryville sign emblazoned across it has helped fortify the identity of Emeryville.
So what amenities would you say the city is lacking? Food establishments. I would say, you should talk to some of my colleagues about their exploration of restaurants. I had a friend, who lives in Berkeley, come down the other night. We went and drove someplace down that way. They have a theater. They have a spa, gym. They have a childcare service.
Phil: It is. What a great place to be. All the money basically went back to Japan, and none of it stayed in San Francisco. More restaurants opening up to cater towards you guys. That would be great, to have more choices. I think you mentioned the shuttle. One criterion we had that was very important to us was we needed to be near BART. Actually, originally our goal was no more than two blocks because a lot of folks take BART.
The pluses were strong enough, so that we decided that … there was a shuttle service. We tested it. People at the CIR tested it. People who come here on their bikes tested it. Particularly, as they saw the space, which is a great space, people became less and less reluctant or concerned about the extra time that it would take to do the shuttle. It does take extra time, but there is a shuttle. Although, I read up last night, because you warned me … that might be a topic of conversation. EE: Yeah, just to recap it, the former political figure I mentioned earlier, Ken Bukowski, he leads basically a lobbyist organization for small and mid-size companies.
And there are other issues. They may be attractive to some groups, but at least people are thinking about what are some other ways that we can pay for the service … EE: I think everybody wants to keep it. Hopefully avoiding getting in their cars. Phil: Yeah, one of our board members, she and her husband have investment in a shuttle service that you can set up anywhere. Theoretically, we could have done something here but, frankly, it was less expensive and more convenient for us to use the existing shuttle. EE: I guess it should be noted to prospective Emeryville companies. Phil: Again, the fact that they have options on the table is always a good sign. EE: Yeah, I think they want to.
Do you have any stories to share? Phil: I saw this coming. Phil: Post. She really cares and works her ass off to put out news about San Francisco that you might not find elsewhere, but the survival piece is really challenging. He was a great reporter.
Phil Bronstein: Celebs Rumors
Bronstein escaped but suffered a serious injury. In September 2001, Stone was felled by a stroke but only went to the hospital three days later. A fragile blood vessel in her brain had ruptured causing a stroke. Read also.
You want to make it compelling as a story. To do that, you have to pay attention to where you put the quote attributions and you use this word versus that word. But mostly, it was inviting curiosity and an open mind.
If you had those two things, you had the makings of a really good journalist. Writing is partly teachable, partly innate. EE: I wish more people had that. When I went to The Examiner in 1980 I was 29. That was a very encouraging thing. That was the boomer class of journalists.
EE: I guess we need another catalyst like that … Phil: It happens every day in journalism. Something is exposed. What we pursue more aggressively than some others is the impact. Something happens. Hopefully the things that people latch on to just grow organically. One little nugget could turn into a Watergate, I guess.
So I think you have to be a little modest. Let me tell that story. Phil: All the time. Hopefully, you find that out earlier rather than later. EE: Yeah, waste all your resources there. So do you think the foundation and member supported journalism like CIR will always be viable or do you eventually think other funding sources, including state and federal support, will be needed to sustain it?
Phil: Other than public broadcasting, news organizations have not taken government money. So I think that the government thing is not going to happen. Will Hearst said yesterday on this panel that he thought philanthropy was a critical part of supporting this kind of journalism. I agree. We keep looking at different ways. Those are very popular.
Should we charge for those? Maybe we should. What do you think are the biggest adversaries to sustaining quality investigative reporting today and its biggest allies? Phil: Adversaries, basically the tendency of powerful institutions, government being the most or one of the most powerful, to continue to want to create their own narrative. Is to spin. Their job is to create a little bit of a mythology about what they do, to perpetuate themselves and to sell it.
Our job is to pull the curtain back. There will be that constant adversarial relationship which is natural. I think the Obama Administration has been worse than any other previous administration combined in going after the sources of information for journalists, and in threatening to put journalists like Jim Risen of the New York Times in jail for not revealing their sources. As you pointed out earlier, social media is a big plus. How we use it, how you verify it, how you stitch it together remains to be seen. Every day.
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Бронштейн присутствовал, но не окончил Калифорнийский университет в Дэвисе. Он писал обзоры фильмов для школьной газеты. Экзаменатор из Сан-Франциско нанял его в качестве репортера.
Длились они около полутора суток. После этого Шерон Стоун впала в глубокую депрессию, однако вскоре ее заявку на усыновление ребенка одобрили, что сразу привело ее в чувство. Супруги дали малышу имя Роан. Спустя некоторое время знаменитость столкнулось с новым препятствием: в 2001 у нее случилось мозговое кровоизлияние. Актрисе пришлось заново учиться говорить и передвигаться.
Phil Bronstein
During my trip, despite the difficulties in doing this, I sent him several reports at a time when almost no other American journalists were in the West Bank or, especially, Gaza. None were printed. This was unusually honest but quite troubling. A few years later a journalist who had worked for the Chronicle for many years, Henry Norr, was fired by Bronstein. He had written a column about an Intel factory constructed illegally on Palestinian land and had also given a lunchtime briefing to staffers about a trip he had taken to the West Bank. Still another former Chronicle journalist has described the inner workings related to news coverage of Israel-Palestine; that most of those editing wire copy were Israel partisans, that this journalist was largely kept away from editing reports on the issue; and that there was an atmosphere in which anti-Arab cartoons were sometimes posted on a bulletin board. Before releasing it to the public I phoned Bronstein to meet with him to present it in person, the normal protocol. He failed to return my phone calls. At a public forum I again requested such a meeting. In front of a large audience Bronstein promised to meet. Yet, he later again refused to return phone calls and this meeting never transpired.
We then released our report publicly and distributed it as widely as possible. Gannett Newspapers Gannett is one of the top news chains in the US. In addition to its newspapers, Gannett owns 23 TV stations, which reach 21 million households, covering 18. It also delivers news on 9,500 video screens located in elevators of office towers and select hotel lobbies across North America. In 2001 a Gannett reporter who was writing a series of articles in the wake of the 9-11 attacks, heard about my trip to the region six months before the attacks and phoned me for an interview. He was extremely interested in my story and ended up calling me several more times for follow-up interviews, asked me to send him all my reports from my trip, and upon receiving them he was quite complimentary about their quality. The reporter then sent a photographer to take pictures of me in my home for the article, had her express mail them to him, and said the story would be coming out soon. We were in the process of creating the If Americans Knew website at the time and hurried to make this live, since this would be major exposure. A little later I went on a speaking tour and a reporter from a community newspaper in a tiny newspaper chain in New York State interviewed me for his paper. A few days later he wrote to me saying that the newspaper owner had killed his article.
They probably should know. What I looked for was was there any hint of magic in their writing? Were there lyrical turns of phrase that just hit you? Did they understand that writing a story or telling a story is like a musical piece. You have to compel people to read it. You want to make it compelling as a story. To do that, you have to pay attention to where you put the quote attributions and you use this word versus that word. But mostly, it was inviting curiosity and an open mind.
If you had those two things, you had the makings of a really good journalist. Writing is partly teachable, partly innate. EE: I wish more people had that. When I went to The Examiner in 1980 I was 29. That was a very encouraging thing. That was the boomer class of journalists. EE: I guess we need another catalyst like that … Phil: It happens every day in journalism. Something is exposed.
What we pursue more aggressively than some others is the impact. Something happens. Hopefully the things that people latch on to just grow organically. One little nugget could turn into a Watergate, I guess. So I think you have to be a little modest. Let me tell that story. Phil: All the time. Hopefully, you find that out earlier rather than later.
EE: Yeah, waste all your resources there. So do you think the foundation and member supported journalism like CIR will always be viable or do you eventually think other funding sources, including state and federal support, will be needed to sustain it? Phil: Other than public broadcasting, news organizations have not taken government money. So I think that the government thing is not going to happen. Will Hearst said yesterday on this panel that he thought philanthropy was a critical part of supporting this kind of journalism. I agree. We keep looking at different ways. Those are very popular.
Should we charge for those? Maybe we should. What do you think are the biggest adversaries to sustaining quality investigative reporting today and its biggest allies? Phil: Adversaries, basically the tendency of powerful institutions, government being the most or one of the most powerful, to continue to want to create their own narrative. Is to spin. Their job is to create a little bit of a mythology about what they do, to perpetuate themselves and to sell it. Our job is to pull the curtain back. There will be that constant adversarial relationship which is natural.
I think the Obama Administration has been worse than any other previous administration combined in going after the sources of information for journalists, and in threatening to put journalists like Jim Risen of the New York Times in jail for not revealing their sources. As you pointed out earlier, social media is a big plus. How we use it, how you verify it, how you stitch it together remains to be seen.
Иногда знаменитостям так и не удается найти общий язык со столь оригинальными партнерами по съемочной площадке, отсюда и нештатные ситуации, которые с ними происходят. Впрочем, иногда это происходит и за пределами их основной работы. Изображение взято с: wikimedia. Причем, для этой прогулки знаменитость выбрала индивидуальный подход, посетив зверинец в тот момент, когда вход в него для обычных посетителей закрыт. Сотрудники городского зоопарка провели для артистки и ее избранника персональную экскурсию.
В какой-то момент Бронштейн решил поближе познакомиться с комодским вараном и вошел к нему в вольер. Крупная рептилия не упустила момент и восприняла звездного гостя без должных почестей, устроив на него настоящую охоту.
Those trolls!
Phil: I hope that becomes journalism, where the public does play a role. EE: I think the exciting thing for Emeryville residents is right here in our 1. Phil: All right here within Emeryville, right by the train tracks.
Motivated by that whistle every day. So, what makes a good investigative reporter? Phil: I would say that I have known great investigative journalists who personally probably are much more Conservative than some others.
Conservative or Libertarian even. I think that the political climate is really not what creates great investigative journalists. They probably should know.
What I looked for was was there any hint of magic in their writing? Were there lyrical turns of phrase that just hit you? Did they understand that writing a story or telling a story is like a musical piece.
You have to compel people to read it. You want to make it compelling as a story. To do that, you have to pay attention to where you put the quote attributions and you use this word versus that word.
But mostly, it was inviting curiosity and an open mind. If you had those two things, you had the makings of a really good journalist. Writing is partly teachable, partly innate.
EE: I wish more people had that. When I went to The Examiner in 1980 I was 29. That was a very encouraging thing.
That was the boomer class of journalists. EE: I guess we need another catalyst like that … Phil: It happens every day in journalism. Something is exposed.
What we pursue more aggressively than some others is the impact. Something happens. Hopefully the things that people latch on to just grow organically.
One little nugget could turn into a Watergate, I guess. So I think you have to be a little modest. Let me tell that story.
Phil: All the time. Hopefully, you find that out earlier rather than later. EE: Yeah, waste all your resources there.
So do you think the foundation and member supported journalism like CIR will always be viable or do you eventually think other funding sources, including state and federal support, will be needed to sustain it? Phil: Other than public broadcasting, news organizations have not taken government money. So I think that the government thing is not going to happen.
Will Hearst said yesterday on this panel that he thought philanthropy was a critical part of supporting this kind of journalism. I agree. We keep looking at different ways.
Those are very popular. Should we charge for those? Maybe we should.
A Conversation with the Center for Investigative Reporting Chairman Phil Bronstein
Хроника была другой крупной ежедневной газетой Область залива Сан-Франциско. Он был женат четыре раза. Он был на частной экскурсии, и смотритель пригласил его в вольер.
Однако на днях, в своем интервью Брюсу Боцци, 64-летняя актриса решилась наконец нарушить свое молчание на этот счет. Она заявила, что потеряла опеку над Роаном из-за коварных действий мужа. А говорить об этом раньше не могла, потому что подписала в свое время согласие хранить молчание на этот счет, чтобы не повредить нежной психике ребенка. А теперь, когда Роан стал вполне взрослым, она не считает больше нужным утаивать эту историю.
Отрывки из интервью были опубликованы в издании Mirror. Как рассказала Стоун, развод был для нее крайне мучительным.
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Можете не верить, но я чувствовала, что знала моего старшего сына Роана задолго до того, как мы встретились" И из газеты 7 дней: "Попытки родить ребенка естественным путем ни к чему не привели. И она убедила мужа, что им надо попробовать все возможные способы. Пройдя через адские мучения, Шарон сделала множество неудачных попыток искусственно забеременеть. Последний раз, когда она опять потеряла ребенка, Фил прямо в клинику принес ей радостную весть, что адвокат наконец-то все уладил с суррогатной матерью. И вскоре, в июле 2000 года, они уже гордо демонстрировали общественности малыша Роана, рожденного в Техасе.
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Это разбило мне сердце: Шэрон Стоун впервые рассказала, из-за чего потеряла опеку над сыном
Пока кинозвезда восстанавливалась после инсульта, ее муж, редактор газеты Фил Бронштейн подал на развод. So, how much is Phil Bronstein worth at the age of 71 years old? Phil Bronstein’s net worth or net income is estimated to be $1 million – $3 million dollars. скандалы светская хроника сегодня: Вконтакте - ВК. Phil Bronstein. Sharon Stone Encounters A Huge Lizard — Again. Фил Бронштейн одержал победу в борьбе за опеку с Шэрон Стоун.
Почему Шэрон Стоун поставила крест на личной жизни?
На первое усыновление актриса решилась в 2000 году — спустя два года после того, как вышла замуж за вице-президента и редактора газеты San Francisco Chronicle Фила Бронштейна. So, how much is Phil Bronstein worth at the age of 71 years old? Phil Bronstein’s net worth is a result of his numerous awards and honors. В минувший четверг муж актрисы Фил Бронштейн подал заявление на развод в высший окружной суд Сан-Франциско, указав обычную в таких случаях причину: "непримиримые. OCTOBER 21: Phil Bronstein arrives at The International Women's Media Foundation's 2010 Courage in Journalism Awards held at the Beverly Hills Hotel on October 21. Sharon Stone and Phil Bronstein at an event for The 56th Annual Golden Globe Awards (1999).
phil bronstein
Актриса Шерон Стоун призналась в недавнем интервью, через какие огромные трудности в жизни ей пришлось пройти. Все произошло после того, как знаменитую артистку сразил инсульт. Причем, достаточно серьезный — настолько, что ей приходилось заново учиться ходить и говорить. Шэрон Стоун.
Фото Global Look Press.
Мальчика Роана Джозефа продюсер и ее супруг Фил Бронштейн усыновили в 2000 году, а спустя несколько лет мужчина подал на развод, в 2003-м суд присудил опеку над ребенком отцу. Тот период в жизни Шэрон называет настоящей трагедией, повлекшей за собой проблемы со здоровьем. За свою жизнь кинозвезде пришлось пережить девять выкидышей, а в 2005-м Стоун забрала из детского дома мальчика Лэрда.
Из-за кровоизлияния в мозг актриса провела девять дней в коме, а после операции кинозвезде пришлось заново учиться разговаривать, писать и ходить. Но настоящий удар ждал Шэрон впереди.
Пока кинозвезда восстанавливалась после инсульта, ее муж, редактор газеты Фил Бронштейн подал на развод. Мужчина также отсудил у актрисы опеку над их приемным сыном Роэном, которому было на тот момент четыре года. Из-за проблем со здоровьем актриса так и не смогла сама родить ребенка. Шэрон Стоун за свою жизнь перенесла три выкидыша и бросила попытки забеременеть. Впоследствии Шэрон взяла из детдома еще двух мальчиков Лэрда и Куинна и воспитывала их самостоятельно. После развода с Филом Бронштейном у Стоун было много романов: с политиками, миллионерами и даже моделями.
Все избранники были намного младше актрисы. Но ни один из мужчин так и не смог покорить ее сердце. А недавно Шэрон Стоун заявила: «С меня хватит отношений.
Режиссеры мечтали заполучить роковую блондинку в свои картины, а мужчины — в свои объятия. Однако у такой славы своя цена и Стоун заплатила за нее сполна. Только спустя почти 30 лет актриса рассказала, что неоднократно подвергалась сексуальным домогательствам в кино. По словам артистки, режиссеры просили сесть ее к себе на колени. Мол, только так она получит роль. Я приехала в Голливуд из Пенсильвании без того, кто бы мог меня защитить», — вспоминает актриса.
Только потому, что я хотела попасть в этот фильм, я знала, что надо делать, чтобы получить роль», — объяснила Шэрон Стоун. Роль сексуальной преступницы сделала Стоун заложницей одного образа и долгое время Голливуд видел в ней лишь роковую красотку, а не талантливую актрису. Я боялась что-то упустить, чего-то не сделать, за чем-то не угнаться, чего-то не испытать. Ну и пострадала от этого во всех смыслах — и профессионально, и душевно, и физически», — призналась Шэрон Стоун. Именно проблемы со здоровьем чуть не сломили Шэрон.